Zur Metanavigation
Zur Hauptnavigation
Zur Suche
Zum Inhalt
Zum Seitenfuss

Hochschule für Musik und Theater HfMT

Deutsch
English

https://mediathek.hfmt-hamburg.de/l2go?p_p_id=AutocompleteSearch_INSTANCE_GlobalMobileSearch&p_p_lifecycle=2&p_p_state=normal&p_p_mode=view&p_p_cacheability=cacheLevelPage&_AutocompleteSearch_INSTANCE_GlobalMobileSearch_task=findVideos

MEDIATHEK

Alle Videos
Kontakt

Alle Videos
Kontakt
FAQ

https://mediathek.hfmt-hamburg.de/l2go?p_p_id=AutocompleteSearch_INSTANCE_GlobalDesktopSearch&p_p_lifecycle=2&p_p_state=normal&p_p_mode=view&p_p_cacheability=cacheLevelPage&_AutocompleteSearch_INSTANCE_GlobalDesktopSearch_task=findVideos

BASTIEN POUILLÈS - Dawning - HfMT Videoteam - HfMT

MEDIATHEK
Alle Videos
HfMT
Musik
CoPeCo Master 2022

Alle Videos

Lizenz: HfMT-Web

946 Aufrufe

14.07.2022

Musik

BASTIEN POUILLÈS - Dawning

HfMT Videoteam

Dawning Bastien Pouillès a performance-installation for accordion, visual installation & electronics In this piece, Bastien continues to explore the possibilities of the performance-installation, in which the performer is like an object and the object is like a performer, and both are equally important on stage. He also studies the ambiguity as an aesthetic of the creation process. According to him, by its characteristics and its possibilities of the sound production, the accordion is the instrument of the ambiguity. The original idea was to represent something surrealistic on stage, like showing a natural phenomenon for a duration of a performance, somehow based on a sci-fi concept. Then he started his collaboration with Michael Winter, who joined him on these concerns. After many exchanges, Michael got focused on the idea of a dawning, represented by the installation. The accordion, by its two keyboards, is able to play up to three distinctive timbres on each notes. The music is a deep exploration of the accordion timbres through a progression of an algorythmic combination of notes in a 4-notes chord. The shifting timbres structures the form and the emerging melodies, that show all the ambiguity of the sound sources of the accordion. The dawning is represented by one big crescendo of the accordion, where slowly appears the six voices of the registers: the accordion is a dawning by itself. Meet at dawn! Michael Winter: composition, installation, electronics Bastien Pouillès: original idea, accordion, co-composition Michael Winter (*1980): My work often explores simple processes where dynamic systems, situations, and settings are realized in a variety of ways from performances to installations. To me, everything we experience is computable. Given this digital philosophy, I acknowledge even my most open works as algorithmic; and, while not always apparent on the surface of any given piece, the considerations of computability and epistemology are integral to my practice. I often reconcile epistemological limits with artistic practicality by considering and addressing the limits of computation from an artistic and experiential vantage point and by collaborating with other artists, mathematicians, and scientists in order to integrate objects, ideas, and texts from various domains as structural elements in my pieces. Bastien Pouillès (*1994): I’m a French accordionist, composer and free improviser, specialized in contemporary music. I’m particularly involved in the 20th and 21st century repertoire, improvisation and multidisciplinary projects, with a special interest in electronics and multimedia. So I’m constantly exploring new sound and performance possibilities. Through my international experience (notably in Sweden, Estonia, France and Germany), I collaborated with various composers and ensembles. I’m currently studying in CoPeCo master at the CNSMD in Lyon.

Teilen

Links

Video URL Der Link zu diesem Video.
IFrame Code Nutzen Sie diesen Code, um das Video mit dem Lecture2Go-Videoplayer einzubetten.
IFrame Code der Serie Nutzen Sie diesen Code, um das Video und die komplette Serie mit dem Lecture2Go-Videoplayer einzubetten.
URL der Serie Der Link zur Serie.

Zitat2Go

Start Definiert den Startpunkt für Zitat2Go. Bitte in das Feld klicken, um die aktuelle Zeit auszuwählen.
Ende Definiert den Endpunkt für Zitat2Go. Bitte in das Feld klicken, um die aktuelle Zeit auszuwählen.
Zitat2Go-Link Nach der Auswahl eines Start- und Endpunktes verweist dieser Link auf den Ausschnitt des Videos.
IFrame Code Nutzen Sie diesen Code, um den Auschnitt des Videos mit dem Lecture2Go-Videoplayer einzubetten.

Serie

14.07.2022

ELENA PERALES ANDREU - disidencia ritual

HfMT Videoteam
14.07.2022

BASTIEN POUILLÈS - Dawning

HfMT Videoteam
14.07.2022

HANNAH WIRNSPERGER - caya:meya

HfMT Videoteam
14.07.2022

CAROLINA SANTIAGO MARTÍNEZ - PlayFull

HfMT Videoteam
12.07.2022

ANDRO MANZONI - Deadline

HfMT Videoteam
12.07.2022

FIONA XUE JU - Personæ

HfMT Videoteam
12.07.2022

CARMEN KLEYKENS VIDAL - Arrels

HfMT Videoteam
12.07.2022

CAMILA NEBBIA - “El ruido de todo lo que desaparece” (The Noise of Everything that Disappears)

HfMT Videoteam
31.07.2020

THE BODY ELECTRIC - Final Project by Kelsey Cotton

HfMT Videoteam
29.06.2018

Concert II - Contemporary Performance and Composition

HfMT Videoteam
27.06.2018

Concert I - Contemporary Performance and Composition

HfMT Videoteam

>Impressum
>Haftungsausschluss
>Datenschutzerklärung
>Barrierefreiheit