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BENJAMIN SPRICK - Benjamin Sprick: Epistemic Dromology Art, Knowledge, Speed - HfMT Videoteam - HfMT

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ArtSearch Symposium 2024

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Lizenz: HfMT-Web

1247 Aufrufe

25.10.2024

HfMT

BENJAMIN SPRICK - Benjamin Sprick: Epistemic Dromology Art, Knowledge, Speed

HfMT Videoteam

In the humanities and social sciences, European modernity is traditionally defined as a movement of acceleration. In the context of discourses around ›AI‹, this thesis is intensified, since something like an ›exponential‹ or ›excessive‹ temporality can be discerned here: The succession of groundbreaking innovations tends to overtake the logical structure of their reflexive interpretation. The lecture explores meta-theoretical conclusions for the operational speed of artistic research contexts. In addition to concepts of the French philosopher Paul Virilio, theses from a book by the sociologist Emanuel Deutschmann, which has not yet been published (The Exponential Society. From the End of Growth to the Stabilization of the World, Suhrkamp 2025), will be relevant. Benjamin Sprick was born in Hamburg in 1980, where he studied cello, philosophy and music theory. In 2020, he completed his doctorate at the University of Fine Arts (HfBK) with a thesis on Gilles Deleuze and the aesthetics of music. He currently teaches applied philosophy and aesthetics as well as cello at the Hamburg University of Music and Theater (HfMT). His research focuses on a »Critique of Instrumental Reason« as well as the entangled relationships between art, citizenship, and economics.

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Serie

25.10.2024

BENJAMIN SPRICK - Benjamin Sprick: Epistemic Dromology Art, Knowledge, Speed

HfMT Videoteam
25.10.2024

GIJS DE BOER - Gazing at your Gaze: self-trained algorithms as reflexive mirrors for artists

HfMT Videoteam
25.10.2024

MARGO ZÁLITE - Exploring AI as a Tool for Social Justice in Arts Education. A Case Study of the Arts University

HfMT Videoteam
25.10.2024

STEFFEN KREBBER - sinusoidal run rhythm

HfMT Videoteam
25.10.2024

SAM PENDERBAYNE - Cross-Genre Composition: Opening the Classical Music Tradition

HfMT Videoteam
25.10.2024

SANJA BOJANIC: AI's Dual Edge: Moving Beyond Copy-Paste to Preserve Human Agency and Creativity

HfMT Videoteam
25.10.2024

NICOLA HEIN - Investigating Musical Listening and Identity through Human-Machine Improvisation and AI

HfMT Videoteam
25.10.2024

LISA HOFFMANN - Augmented Reality in alternative documentarisms of crisis and catastrophes

HfMT Videoteam
25.10.2024

JANNE KUMMER - Unreal Conditionals

HfMT Videoteam
24.10.2024

MARIA LINDEMAN - Towards explorative and collaborative processes in opera

HfMT Videoteam
24.10.2024

MICHAEL HIRSCHBICHLER - Drecksarbeit/dirty work. Analog Intelligence

HfMT Videoteam
24.10.2024

STEPHANIE SCHROEDTER - Choreomusical Research as Artistic Practice – exemplified by György Ligeti’s 18 Études pour piano

HfMT Videoteam
24.10.2024

JAN PHILIPP SPRICK - Artistic Research in Current Institutional Discourses

HfMT Videoteam
24.10.2024

AXEL DÜRKOP - The Hidden Costs and Potential Benefits of AI: How can questions of AI and sustainability inspire artistic creation?

HfMT Videoteam
24.10.2024

GEORG HAJDU - The (Hi)story of the ArtSearch Symposium

HfMT Videoteam

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