Zur Metanavigation
Zur Hauptnavigation
Zur Suche
Zum Inhalt
Zum Seitenfuss

Hochschule für Musik und Theater HfMT

Deutsch
English

https://mediathek.hfmt-hamburg.de/l2go?p_p_id=AutocompleteSearch_INSTANCE_GlobalMobileSearch&p_p_lifecycle=2&p_p_state=normal&p_p_mode=view&p_p_cacheability=cacheLevelPage&_AutocompleteSearch_INSTANCE_GlobalMobileSearch_task=findVideos

MEDIATHEK

Alle Videos
Kontakt

Alle Videos
Kontakt
FAQ

https://mediathek.hfmt-hamburg.de/l2go?p_p_id=AutocompleteSearch_INSTANCE_GlobalDesktopSearch&p_p_lifecycle=2&p_p_state=normal&p_p_mode=view&p_p_cacheability=cacheLevelPage&_AutocompleteSearch_INSTANCE_GlobalDesktopSearch_task=findVideos

STEFFEN KREBBER - sinusoidal run rhythm - HfMT Videoteam - HfMT

MEDIATHEK
Alle Videos
HfMT
HfMT
ArtSearch Symposium 2024

Alle Videos

Lizenz: HfMT-Web

1530 Aufrufe

25.10.2024

HfMT

STEFFEN KREBBER - sinusoidal run rhythm

HfMT Videoteam

ArtSearch Symposium 2024

sinusoidal run rhythm is a basic research in rhythm theory generated by adding up in-phase cosine functions in whole number ratios. These rhythms are temporally and dynamically shifted in their maxima compared to corresponding notated rhythms and feature a physicality and grooviness that is not present in discretely controlled rhythms. sinusoidal run rhythm thus conceives of rhythm as a wave and clearly stands out from the conventional rhythm theory of a European musical tradition. It opens up an inexhaustible variety of beguiling physical music. The theory encourages us to unbound the borders between imagination and performance, score and interpretation, man and machine and search for applications in music-making, music analysis, psychoacoustics or philosophy. A book, code and Ableton plugins have been released in 2023. Steffen Krebber is composer, sound artist and researcher. His work oscillates between computer music, instrumental and electroacoustic composition, sound art, research, language, epistemology, sociology and media art. He has held scholarships from the Schloss Solitude Academy, the Schreyahn Artists Retreat, the Baden-Württemberg Art Foundation and the Konrad Adenauer Foundation and received the Bernd Alois Zimmermann Scholarship from the City of Cologne. His music has been performed at the Gaudeamus Muziekweek, the Witten New Chamber Music Festival, the ‘blurred edges’ Festival of Current Music (Hamburg), the ‘new talents’ Biennale (Cologne), Nachtstrom (Basle) and Piano+ at the Karlsruhe Center for Art and Media. He has also exhibited his work at the KOLUMBA Art Museum of the Archbishopric of Cologne, the Cologne Arts Association and the Schloss Solitude Academy. His language installation Weissagungen (‘divinations’) entered the permanent collection of the KOLUMBA Art Museum. As a composer he has worked with a great many ensembles and performers, including the Thürmchen Ensemble, Ensemble Praesenz, radikal translation, the Sonar Quartet, hand werk, LUX:NM, Ensemble Garage, Ensemble ascolta and the Stuttgart New Vocal Soloists as well as Manos Tsangaris, Truike van der Poel, Sabine Akiko Ahrendt and Dirk Rothbrust.

Teilen

Links

Video URL Der Link zu diesem Video
IFrame Code Nutzen Sie diesen Code, um das Video mit dem Lecture2Go-Videoplayer einzubetten.
IFrame Code der Serie Nutzen Sie diesen Code, um das Video und die komplette Serie mit dem Lecture2Go-Videoplayer einzubetten.
URL der Serie Der Link zur Serie.

Zitat2Go

Start Definiert den Startpunkt für Zitat2Go. Bitte in das Feld klicken, um die aktuelle Zeit auszuwählen.
Ende Definiert den Endpunkt für Zitat2Go. Bitte in das Feld klicken, um die aktuelle Zeit auszuwählen.
Zitat2Go-Link Nach der Auswahl eines Start- und Endpunktes verweist dieser Link auf den Ausschnitt des Videos.
IFrame Code Nutzen Sie diesen Code, um den Auschnitt des Videos mit dem Lecture2Go-Videoplayer einzubetten.

Serie

25.10.2024

BENJAMIN SPRICK - Benjamin Sprick: Epistemic Dromology Art, Knowledge, Speed

HfMT Videoteam
25.10.2024

GIJS DE BOER - Gazing at your Gaze: self-trained algorithms as reflexive mirrors for artists

HfMT Videoteam
25.10.2024

MARGO ZÁLITE - Exploring AI as a Tool for Social Justice in Arts Education. A Case Study of the Arts University

HfMT Videoteam
25.10.2024

STEFFEN KREBBER - sinusoidal run rhythm

HfMT Videoteam
25.10.2024

SAM PENDERBAYNE - Cross-Genre Composition: Opening the Classical Music Tradition

HfMT Videoteam
25.10.2024

SANJA BOJANIC: AI's Dual Edge: Moving Beyond Copy-Paste to Preserve Human Agency and Creativity

HfMT Videoteam
25.10.2024

NICOLA HEIN - Investigating Musical Listening and Identity through Human-Machine Improvisation and AI

HfMT Videoteam
25.10.2024

LISA HOFFMANN - Augmented Reality in alternative documentarisms of crisis and catastrophes

HfMT Videoteam
25.10.2024

JANNE KUMMER - Unreal Conditionals

HfMT Videoteam
24.10.2024

MARIA LINDEMAN - Towards explorative and collaborative processes in opera

HfMT Videoteam
24.10.2024

MICHAEL HIRSCHBICHLER - Drecksarbeit/dirty work. Analog Intelligence

HfMT Videoteam
24.10.2024

STEPHANIE SCHROEDTER - Choreomusical Research as Artistic Practice – exemplified by György Ligeti’s 18 Études pour piano

HfMT Videoteam
24.10.2024

JAN PHILIPP SPRICK - Artistic Research in Current Institutional Discourses

HfMT Videoteam
24.10.2024

AXEL DÜRKOP - The Hidden Costs and Potential Benefits of AI: How can questions of AI and sustainability inspire artistic creation?

HfMT Videoteam
24.10.2024

GEORG HAJDU - The (Hi)story of the ArtSearch Symposium

HfMT Videoteam

>Impressum
>Haftungsausschluss
>Datenschutzerklärung
>Barrierefreiheit