Zur Metanavigation
Zur Hauptnavigation
Zur Suche
Zum Inhalt
Zum Seitenfuss

Hochschule für Musik und Theater HfMT

Deutsch
English

https://mediathek.hfmt-hamburg.de/en/l2go?p_p_id=AutocompleteSearch_INSTANCE_GlobalMobileSearch&p_p_lifecycle=2&p_p_state=normal&p_p_mode=view&p_p_cacheability=cacheLevelPage&_AutocompleteSearch_INSTANCE_GlobalMobileSearch_task=findVideos

MEDIATHEK

Videos
Contact

Videos
Contact
FAQ

https://mediathek.hfmt-hamburg.de/en/l2go?p_p_id=AutocompleteSearch_INSTANCE_GlobalDesktopSearch&p_p_lifecycle=2&p_p_state=normal&p_p_mode=view&p_p_cacheability=cacheLevelPage&_AutocompleteSearch_INSTANCE_GlobalDesktopSearch_task=findVideos

BASTIEN POUILLÈS - Dawning - HfMT Videoteam - University

MEDIATHEK
Videos
HfMT
Musik
CoPeCo Master 2022

Videos

License: HfMT-Web

1174 Views

14.07.2022

Musik

BASTIEN POUILLÈS - Dawning

HfMT Videoteam

CoPeCo Master 2022

Dawning Bastien Pouillès a performance-installation for accordion, visual installation & electronics In this piece, Bastien continues to explore the possibilities of the performance-installation, in which the performer is like an object and the object is like a performer, and both are equally important on stage. He also studies the ambiguity as an aesthetic of the creation process. According to him, by its characteristics and its possibilities of the sound production, the accordion is the instrument of the ambiguity. The original idea was to represent something surrealistic on stage, like showing a natural phenomenon for a duration of a performance, somehow based on a sci-fi concept. Then he started his collaboration with Michael Winter, who joined him on these concerns. After many exchanges, Michael got focused on the idea of a dawning, represented by the installation. The accordion, by its two keyboards, is able to play up to three distinctive timbres on each notes. The music is a deep exploration of the accordion timbres through a progression of an algorythmic combination of notes in a 4-notes chord. The shifting timbres structures the form and the emerging melodies, that show all the ambiguity of the sound sources of the accordion. The dawning is represented by one big crescendo of the accordion, where slowly appears the six voices of the registers: the accordion is a dawning by itself. Meet at dawn! Michael Winter: composition, installation, electronics Bastien Pouillès: original idea, accordion, co-composition Michael Winter (*1980): My work often explores simple processes where dynamic systems, situations, and settings are realized in a variety of ways from performances to installations. To me, everything we experience is computable. Given this digital philosophy, I acknowledge even my most open works as algorithmic; and, while not always apparent on the surface of any given piece, the considerations of computability and epistemology are integral to my practice. I often reconcile epistemological limits with artistic practicality by considering and addressing the limits of computation from an artistic and experiential vantage point and by collaborating with other artists, mathematicians, and scientists in order to integrate objects, ideas, and texts from various domains as structural elements in my pieces. Bastien Pouillès (*1994): I’m a French accordionist, composer and free improviser, specialized in contemporary music. I’m particularly involved in the 20th and 21st century repertoire, improvisation and multidisciplinary projects, with a special interest in electronics and multimedia. So I’m constantly exploring new sound and performance possibilities. Through my international experience (notably in Sweden, Estonia, France and Germany), I collaborated with various composers and ensembles. I’m currently studying in CoPeCo master at the CNSMD in Lyon.

Share

Links

Video URL The link to this video.
IFrame code Use this code to embed the video using the lecture2go own video player.
IFrame code for series Use this code to embed the video and the complete series with the Lecture2Go video player.
series URL The link to the series.

Citation2Go

Start Defines the starting point for Citation2Go. Please click in the field to select the current time.
end Defines the end point for Citation2Go. Please click in the field to select the current time.
Citation2Go link After selecting a start and end point, this link points to the excerpt of the video.
IFrame code This IFrame is dynamically generated and contains the portion of this video that you selected using the start and end points defined above.

Series

14.07.2022

ELENA PERALES ANDREU - disidencia ritual

HfMT Videoteam
14.07.2022

BASTIEN POUILLÈS - Dawning

HfMT Videoteam
14.07.2022

HANNAH WIRNSPERGER - caya:meya

HfMT Videoteam
14.07.2022

CAROLINA SANTIAGO MARTÍNEZ - PlayFull

HfMT Videoteam
12.07.2022

ANDRO MANZONI - Deadline

HfMT Videoteam
12.07.2022

FIONA XUE JU - Personæ

HfMT Videoteam
12.07.2022

CARMEN KLEYKENS VIDAL - Arrels

HfMT Videoteam
12.07.2022

CAMILA NEBBIA - “El ruido de todo lo que desaparece” (The Noise of Everything that Disappears)

HfMT Videoteam
31.07.2020

THE BODY ELECTRIC - Final Project by Kelsey Cotton

HfMT Videoteam
29.06.2018

Concert II - Contemporary Performance and Composition

HfMT Videoteam
27.06.2018

Concert I - Contemporary Performance and Composition

HfMT Videoteam

>Legal Notice
>Disclaimer
>Privacy policy
>Accessibility